For us, the hand is the most common "friend" of all body parts ~
But if you want to paint this "old friend" naturally, it is not easy. After all, because they can't paint their hands, there are not a few friends who have been tortured crazy! !! The skeletal structure of the fingers, the perspective of the hands, etc. are very complicated and difficult to grasp.
So, learn how to paint today!
(Most of the pictures in the text are from Internet search collections. Some pictures indicate the source and some are unknown.)
The performance of the hand has always been a difficult point in the performance of painting. There are many kinematic joints in the hand. If you don't study hard and organize it, you will not be able to write when you paint.
In fact, there are already a lot of great postings on the Internet that teach you how to paint. Everyone has their own unique "Made into Dafa". I have summarized it in a few ways: 1. Copy, and keep practicing; 2. Observe the dynamics of your hands, and keep practicing; 3. Pass Deepen the study of the relationship of geometric spatial structure, and then apply it to the hand drawing application, and then continue to practice.
I think it is still based on the understanding of the spatial structure, and it is more suitable for beginners to learn more. Today, I will mainly explain this practice learning method to everyone.
First, let's learn the hand drawing process through the following motion pictures:
Next, let's take a closer look at the process of drawing the hand of the Great God icon:
The picture above is a graphic tutorial of Japanese artist モ ヴ @ ツ イ ッ タ ー. Since it is not a Chinese version, you have to work hard to see the formation of hands in the picture below.
Through the illustration, it is not difficult to find that the artist himself knows the skeletal and joint parts of the hand and the muscle performance of the hand so much that he did not see a lot of geometry in the drawing of the drawing. As shown in Figure 1, his painting process is as follows: determine the approximate hand proportion and body shape → perfect the skeletal joints on the back of the hand and fingers → draw the muscle performance at the skeletal joints.
It can be seen that we can also refer to his drawing process to carry out a phased and systematic self-learning. I summarized it a bit, you can practice learning in the following way:
1. Observe. Observe the position and shape of the various joints of the hand, and the shape characteristics of the hand in the flat and dynamic state (mainly study the composition of the hand, don't pay attention to whether the hand is beautiful. Of course, if the hand is a bit deformed, then it is another matter )
2, copy. Deepen your opponent's understanding during copying
3.Learn the relationship and expression methods of geometry and geometric perspective
4. Through observation, try to draw the geometric expression combination of the hand with the form of each geometry. (Both static and dynamic can be practiced together)
5. After you are familiar with the drawing of the hand geometry, draw the bone joints appropriately at each node (usually determined by drawing circles)
6. In the state of hand geometry, use arcs to draw the approximate shape of the hand.
7. Learn the performance of hand muscles and apply it to hand drawing.
The above is the learning experience summarized by individuals when they practice painting. The following are the favorite icons collected from the Internet when I was learning. (If you have friends who know the source, you can tell the artist at the comment section, thanks ~). These are some authentic Japanese graphic tutorials. They have not been finished, so you can only read the pictures to understand them yourself. If you are interested, you can also look at:
Of course, in the study of animation drawing, we often have to conceive the movement of the hand according to the angle and pose of the character. Here, by the way, I attach some dynamic performance icons of the hands, and my friends can observe and copy:
With regard to the learning and sharing of the hand, basically here. In the end, I will add a dynamic performance chart when you are holding various "props" in your hand ~ (However, those who are not good at drawing, don't want to go to the sky one step, draw your hands first, and then think about the others....)
Cre: 林夕颜
But if you want to paint this "old friend" naturally, it is not easy. After all, because they can't paint their hands, there are not a few friends who have been tortured crazy! !! The skeletal structure of the fingers, the perspective of the hands, etc. are very complicated and difficult to grasp.
So, learn how to paint today!
(Most of the pictures in the text are from Internet search collections. Some pictures indicate the source and some are unknown.)
The performance of the hand has always been a difficult point in the performance of painting. There are many kinematic joints in the hand. If you don't study hard and organize it, you will not be able to write when you paint.
In fact, there are already a lot of great postings on the Internet that teach you how to paint. Everyone has their own unique "Made into Dafa". I have summarized it in a few ways: 1. Copy, and keep practicing; 2. Observe the dynamics of your hands, and keep practicing; 3. Pass Deepen the study of the relationship of geometric spatial structure, and then apply it to the hand drawing application, and then continue to practice.
I think it is still based on the understanding of the spatial structure, and it is more suitable for beginners to learn more. Today, I will mainly explain this practice learning method to everyone.
First, let's learn the hand drawing process through the following motion pictures:
Next, let's take a closer look at the process of drawing the hand of the Great God icon:
The picture above is a graphic tutorial of Japanese artist モ ヴ @ ツ イ ッ タ ー. Since it is not a Chinese version, you have to work hard to see the formation of hands in the picture below.
Through the illustration, it is not difficult to find that the artist himself knows the skeletal and joint parts of the hand and the muscle performance of the hand so much that he did not see a lot of geometry in the drawing of the drawing. As shown in Figure 1, his painting process is as follows: determine the approximate hand proportion and body shape → perfect the skeletal joints on the back of the hand and fingers → draw the muscle performance at the skeletal joints.
It can be seen that we can also refer to his drawing process to carry out a phased and systematic self-learning. I summarized it a bit, you can practice learning in the following way:
1. Observe. Observe the position and shape of the various joints of the hand, and the shape characteristics of the hand in the flat and dynamic state (mainly study the composition of the hand, don't pay attention to whether the hand is beautiful. Of course, if the hand is a bit deformed, then it is another matter )
2, copy. Deepen your opponent's understanding during copying
3.Learn the relationship and expression methods of geometry and geometric perspective
4. Through observation, try to draw the geometric expression combination of the hand with the form of each geometry. (Both static and dynamic can be practiced together)
5. After you are familiar with the drawing of the hand geometry, draw the bone joints appropriately at each node (usually determined by drawing circles)
6. In the state of hand geometry, use arcs to draw the approximate shape of the hand.
7. Learn the performance of hand muscles and apply it to hand drawing.
The above is the learning experience summarized by individuals when they practice painting. The following are the favorite icons collected from the Internet when I was learning. (If you have friends who know the source, you can tell the artist at the comment section, thanks ~). These are some authentic Japanese graphic tutorials. They have not been finished, so you can only read the pictures to understand them yourself. If you are interested, you can also look at:
Of course, in the study of animation drawing, we often have to conceive the movement of the hand according to the angle and pose of the character. Here, by the way, I attach some dynamic performance icons of the hands, and my friends can observe and copy:
With regard to the learning and sharing of the hand, basically here. In the end, I will add a dynamic performance chart when you are holding various "props" in your hand ~ (However, those who are not good at drawing, don't want to go to the sky one step, draw your hands first, and then think about the others....)
Cre: 林夕颜
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